And I’ll fall on my knees; tell me how’s the way to be, tell me how’s the way to go, tell me all that I should know. And I’ll fall on my knees; tell me how’s the way to go, tell me how’s the way to be, to evoke some empathy.

Danger will follow me now everywhere I go. And angels will call on me and take me to my home. Oh, this tired mind just wants to be back home.

And I’ll fall on my knees; tell me how’s the way to go, tell me how’s the way to see, tell me all that I could be. And I’ll fall on my knees; tell me how’s the way to go, tell me how’s the way to go, tell me why I feel so low.

Danger will follow me now everywhere I go. And angels will call on me and take me to my home. Oh, this tired eyes just want to remain closed. I don’t see clearly. Can’t do nothing, no. Can’t you hear me?

And I’ll fall on my knees, and danger will follow me now everywhere I go, and angels will call on me and take me to my home. And angels will call on me now and lead me to my home.

We’re lost. We are not gone. [Dollhouse S02E13] (via betternovembers)

Because, as Oscar Wilde put it, “we are all in the gutter, but some of us are looking at the stars.”

Topher Brink is a genius. And you’ll keep a civil tongue in this house or we’ll put it in the stew. [Dollhouse S02E13] (via wehaditall)

One of the many things I’ll miss about this show is the sharp wit of Adelle. At first she was the cold, British, no-nonsense Dollhouse big boss that pretty much saw things in black and white when it came to business. But towards the end of the show, she became someone else, and it was just pure awesomeness to see just how she came from point A, to point B and ultimately to point C.

Shit, Dollhouse. Why’d you have to end so soon?

We literally become what we do, not what we’ve done, or what we will do. We’re best defined by our actions in the moment. [Dollhouse S02E13]